Blessed Duns Scotus

Not Rated

Catholic-ometer: 4 of 5

Enjoyability: 3 of 5

For those who don't know, Duns Scotus was a Franciscan theologian, who argued for the immaculate conception of Mary; eventually overcoming the intellectual difficulties which had once prevented even Saint Thomas Aquinas from acknowledging the notion.  This eventually became a doctrine of the Catholic Church; an everlasting testament to the success of this great man.

However, historically, Scotus is know primarily for his accomplishments in theology.  Little is known about his friends, his feelings, his motives (apart from holiness,) and so forth.  Because of this, I was expecting a rather dry movie about theological truths, but at the very least, something different from the norm.

However, what I got instead was a sort of midway point between what I was expecting (and hoping) to get, and your average, run-of-the-mill studio flick.  There are things this movie does, which it shouldn't.  Regardless, I think I should talk about the good parts first, before moving on to the bad.

The costumes in this movie are excellent, for what they're intended to depict, and much of the acting is very good as well, though I thought the main lead was a bit too melodramatic; particularly when the situation didn't call for it.  It's a minor gripe at best, though.

The scenery is a little lackluster.  It seems that they had an abbey and a countryside to film in, and that's just what they did.  Still, the story doesn't call for much else, and I was never expecting the film to dazzle me with its visual panoramas.

Much of Scotus' theology is faithfully depicted in this movie, just as I was hoping it would be.  However, there's one scene where, rather than discussing things like formal distinction or haecceity, he talks about "the eucharist being for the purpose of uniting everything."  I'm not convinced that he would ever say it as imprecisely as this.  The Eucharist is for the purpose of uniting people to God, not to one another, and certainly not to the world.  Still, again, a minor gripe.

The one thing that I don't consider minor, and the one thing that I refuse to let pass is the truly awful subplot about a seminarian who learns theology under Scotus, leaves the seminary to get married to a flower girl, and is encouraged in this by Scotus using, it must be admitted, no coherent reasoning at all.  Stupid, empty-headed romances pop up like daffodils in the modern moviescape, it seems, and no film featuring such will ever get a perfect score from me.

This movie tries to stuff a romance into a story about a great theologian, but it's a very badly-written romance, so it won't really appeal to the romantic.  It tries to depict a debate on theology, but you have to get to that debate by skipping over a horrible romance subplot, so theology students would be better served by just reading a book.

I want to give this movie a good grade, because at least 75% of it is spent discussing theology and holiness, and that's a rare thing these days.  Still, I need to acknowledge its failings as well.  This movie wasn't terrible, but it could and should have been better than it was.